17.03.2018
The second programme of Its origins are indeterminate, The black curtain is the instant when the eyes shut, looks at strategies of appropriation as spell-craft and conjuration. Circulation and versioning of texts and images from various sources becomes a form of viral spread. The programme’s title is extracted from Ring by Koji Suzuki.
Programme list:
The Artwork in the Age of Its Mechanical Reproducibility by Walter Benjamin as told to Keith Sanborn, Keith Sanborn, 1996, 3:38
Versions, Oliver Laric, 2010, 9:06
HELLO OLIVER LARIC :0), Gabrielle de la Puente & Zarina Muhammad, 2016, 1:58
Wrong then, wrong today, Katie Hare, 2016, 7:17
Object Interviews (Part III), Patrick Hough, 2015, 5:32
Specialized Technicians Required: Being Luis Porcar, Manuel Saiz, 2005, 1:47
Shuffle, Douglas Waterman, 1971, 4:00 (excerpt)
Amethyst, Linda Stupart, 2016, 0:56 (silent)
Colossal Cave, Graeme Arnfield, 2016, 11:12
Ceibas: Shannon’s Entropy, Evan Meaney, 2008, 5:54
Owed to (C)ode, Hannah Catherine Jones, 2014, 4:39
Ask the Insects, Steve Reinke, 2005, 7:19
Object Cinema, Darren Banks, 2016, 5:26
Respondent (performance): Uma Breakdown
***
The black curtain is the instant when the eyes shut essay in programme guide available here.
The Artwork in the Age of Its Mechanical Reproducibility by Walter Benjamin as told to Keith Sanborn, Keith Sanborn, 1996
Versions, Oliver Laric, 2010
HELLO OLIVER LARIC :0), Gabrielle de la Puente & Zarina Muhammad, 2016
Wrong then, wrong today, Katie Hare, 2016
Object Interviews (Part III), Patrick Hough, 2015
Specialized Technicians Required: Being Luis Porcar, Manuel Saiz, 2005
Shuffle, Douglas Waterman, 1971
Amethyst, Linda Stupart, 2016
Colossal Cave, Graeme Arnfield, 2016
Ceibas: Shannon’s Entropy, Evan Meaney, 2008
Owed to (C)ode, Hannah Catherine Jones, 2014
Ask the Insects, Steve Reinke, 2005
Object Cinema, Darren Banks, 2016
Diagram from performance, Uma Breakdown